Interpretation of Giovanni Bellini’s Madonna and Child 639 Words 3 Pages Giovanni Bellini, (born c. 1430, Venice (Italy)—died 1516, Venice), Italian painter who, in his work, reflects the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance (metmuseum).
A painting called “The Madonna with Saint Giovannino”, created in the 15th century is without a doubt, one of the most enigmatic ancient paintings ever created by man. It is an ancient painting that according to many, depicts a mysterious Disc-shaped UFO hovering in the sky, and is considered by many people as the ultimate vehicle that during millennia, mankind was visited by highly.
MADONNA COL BAMBINO E SAN GIOVANNINO (Madonna and Child with the Infant Saint John) Attributed to Sebastiano Mainardi or Jacopo del Sellaio (Firenze, Palazzo Vecchio Museum, Sala d'Ercole) The Madonna and Child with the infant St. John, on display in the Sala d'Ercole in Palazzo Vecchio, Florence, has been variously attributed.
Madonna with the Long Neck is typical of Parmigianino's later work, which was defined by unusual spatial compositions and elongated figures. The painting is also known as Madonna and Child with Angels and St Jerome but earned the name Madonna with the Long Neck because of the curious length of the Madonna's swan-like neck.
There are examples of UFOs being depicted in artwork. One of the most famous paintings of this type is The Madonna with Saint Giovannino by Domenico Ghirlandaio. A UFO can clearly be seen flying in the air. There is a man and his dog in the background pointing to it. This is not the Sun because the Sun also appears on the left side of the painting.
Painting of the Madonna and Saint Giovannino, in the Palazzo Vecchio in Florence, attrbuted to the 15th Century school of filippo Lippi. Photographs courtesy of CUFOS. A close-up of the upper left section of the painting shows an object in the sky, and below, a man and dog looking at the object. In other words, what today would be called a.
Despite these reasonings, and the theorists thoughts that the object has no other context in the painting, art experts claim that clouding shining light as religious symbols, which look similar to the object in the sky of the Madonna with Saint Giovannino, were a common occurrence in the artwork on this era.