The Lonedale Operator comes in the middle of this output, which is remarkable less for the number of films produced than for revealing an evolving sophistication of acting, editing, and camera techniques. The film was photographed over four days in late January and early February 1911, during the second of Biograph’s winters in southern.
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The American film considered to contain the first close-up is a Griffith two-reeler called The Lonedale Operator in 1911. A young woman played by Blanche Sweet defends a payroll train from a couple of bandits, holding them at bay with what they believe to be a gun but which is in fact only a wrench.
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Now, this is a good movie, but I think its significance has been rather over-stated. For example, the Wikipedia entry says, “Unlike most films at the time which had a simple plot line set in one location, The Lonedale Operator “intercuts three primary spaces—the telegraph office interior, the criminals outside, and the rescue train.” Although audiences in 1911 were not used to such.
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A Corner in Wheat is a 1909 American short silent film which tells of a greedy tycoon who tries to corner the world market on wheat, destroying the lives of the people who can no longer afford to buy bread. It was directed by D. W. Griffith and adapted by Griffith and Frank E. Woods from a novel and a short story by Frank Norris, titled The Pit and A Deal in Wheat.
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