The Love Song of J. Alfred Prufrock Summary and Analysis of Lines 1-36 Lines 1-36 Summary: J. Alfred Prufrock, a presumably middle-aged, intellectual, indecisive man, invites the reader along with him through the modern city. He describes the street scene and notes a social gathering of women discussing Renaissance artist Michelangelo.
T. S. Eliot’s The Love Song of J. Alfred Prufrock demonstrates several Modernist ideas. In particular, by frequently employing imagery, repetition, alliteration, assonance, rhetorical questions and references, creatively shaping lines and sentences and weaving in ambiguity and uncertainty in his words, Eliot includes Modernist characteristics in his work.
The Love Song of J. Alfred Prufrock explores the emotional and conflicting thoughts of a middle-aged man who is indecisive of attending a party to meet a woman. His indecisiveness is caused by his hypocrisy towards the higher classes of society along with his self-consciousness and concern for superficial matters.
For example in “The Love Song of J. Alfred Prufrock”, the evening is compared to a patient lying on an operation table and endless streets are compared to irritating, monotonous arguments. Published in 1915, “The Love Song of J. Alfred Prufrock” is a symbolic poem which reflects the condition and mood of the modern city dwellers.
Essay The Love Song Of J. Alfred Prufrock. The love song of J. Alfred prufrock is a modernist poem T.S Eliot lived in St. Louis during the first eighteen years of his life and attended Harvard University in 1910, he left the U.S for Europe he also earned both undergraduate and masters degree. After a year in Paris he returned to Harvard.
T. S. Elliot’s “The Love Song of J. Alfred Prufrock,” is a melancholy poem of one man’s frustrated search to find the meaning of his existence. The speaker’s strong use of imagery contributes to the poems theme of communion and loneliness. The Poem begins with an invitation from Prufrock to follow him through his self-examination.